3DGallery



Online 3D Gallery Editor (browser based) to setup and configure virtual walk-through 3D galleries, fairs and museums. 3D Pool Design Gallery. Have you ever wondered what a custom pool would look like in your backyard? Enciso’s Pool Construction provides our customers with a 3D pool design of your new custom swimming pool before the first shovelful of dirt. We often find that clients have trouble imagining what their finished pool will look like. Welcome to Gallery 30 in Gettysburg, PA. For more than 38 years we have offered beautifully handcrafted products that suit a variety of tastes and sensibilities. We are sure to having something for you or that special someone. Soft 3D Gallery is a free, next generation photo gallery with smooth gallery user interface and best innovative display. Fast, light and modern gallery with special animated gallery looks for your. Impossible Objects Announces a Revolutionary 3D Printer. Impossible Objects LLC, a company that was founded in 2009 and is backed by OCA Ventures, has launched Model One, a 3D printer which can produce functional parts using a wide selection of materials: carbon fiber, PEEK, Kevlar, fiberglass and other high performance polymers, helping build parts that are not only light, but also very.

AFK – 3D Gallery Group Show curated by Casey Kauffmann

AFK
3D Gallery group show curated by Casey Kauffmann
Opening March 1st 7pm
https://coaxialarts.org/3dgallery

Johnny Forever Nawracaj
Gretchen Andrew
Rudy Falagan
Margot Padilla
Panteha Abareshi
Sydney Shavers
Paulson Lee

3d gallery drawings

AFK stands for “Away From Keyboard.” In Glitch Feminism Legacy Russell advocates for the use of the term instead of IRL meaning “In Real Life” because today there is no separation between real and digital life. Our online life is as real and impactful as any other aspect of our lived experience, when we are not inhabiting our digital self it’s not gone just simply away. This exhibition is a celebration of the marginalized other, the work in it is a form of advocacy that captures the indistinguishable line between online and AFK self-representation. Using digital 3D sculptures, painting, video, collage, and various techniques of appropriation facilitated by online engagement the artists of AFK transform a variety of subjects related to physical and digital embodiment. AFK addresses youtube makeup tutorials, the relationship between the body and architectural landscapes, avatars, gaming, overexposure and popular culture, identity as fetish object, subversive SEO, the nuanced experience of the disabled body, and the self-surveillance promoted in our increasingly digital existence in Covid and beyond.

AFK is inspired by Legacy Russell’s phenomenal manifesto Glitch Feminism. She explains, “The oblique romance of Internet-as-utopia, against this backdrop reality, should not be dismissed as naive. Imbuing digital material with fantasy today is not a retro act of mythologizing; it continues as a survival mechanism.”[1] Much of the response to the architectures of the internet from those who have created it (middle-aged white men in Silicon Valley e.g. The Social Dilemma) and much of the art world itself are situated in an alarmist perspective. Data mining and practices of corporate surveillance present a real and ever-present threat built into the structure of the internet and digital practice. Yet these doomsday interpretations miss the way that many artists continue to use the internet as a space of utopic exploration of gender, identity, and the reclamation of under-represented experiences. Glitch Feminism offers a contemporary optimistic validation of practices that subvert the corporate structures of the internet to build a better, more inclusive world. In Glitch Feminism Russell defines glitch as an assertion of self-representation, a form of resistance in a world composed of ones and zeros.

We are asked to sacrifice the fluidity and complexity of our identities online in exchange for the supposed convenience offered by the predictive analysis of the algorithmic structures which we are subjected to within online and digital platforms. When we inhabit a digital body it is often simplified into binary structures, yet the work of the artists in AFK resists the ever-present compartmentalization found in our daily online activities. “A body that pushes back at the application of pronouns, or remains indecipherable within binary assignment, is a body that refuses to perform the score. This nonperformance is a glitch. This glitch is a form of refusal. Within glitch feminism, glitch is celebrated as a vehicle of refusal, a strategy of nonperformance.”[2] The work of the AFK artists signifies the potential for this form of online embodiment to result in measurable human progress promoting inclusivity and experimentation.

[1] Russell, L. (2020). Glitch feminism. In Glitch Feminism (p. 22). Brooklyn, NY: Verso Books.
[2] Russell, L. (2020). Glitch feminism. In Glitch Feminism (p. 8). Brooklyn, NY: Verso Books.

Special thanks to Ben Vance of FLOAT LAND for implementation and Taylor Shechet for 3D spatial design.

Impossible Objects Announces a Revolutionary 3D Printer

Impossible Objects LLC, a company that was founded in 2009 and is backed by OCA Ventures, has launched Model One, a 3D printer which can produce functional parts using a wide selection of materials: carbon fiber, PEEK, Kevlar, fiberglass and other high performance polymers, helping build parts that are not only light, but also very resistant.

Robert Swartz, CEO of Impossible Objects, has stated that Model One is just the first product in a series of 3D printers that will make full use of the company’s proprietary composite-based additive manufacturing (CBAM) technology.

According to him, Model One can create parts that are 10 times stronger than the ones which can be created using a regular 3D printer. In addition to this, with CBAM, printing speed is 100 times faster in comparison with other additive manufacturing technologies.

If all goes as planned, Model One will be available on the market in about six months. Companies that are interested in getting early access to this CBAM product can contact Impossible Objects by email and ask to be enrolled in the early adopter program.

3D Glass Printing is now Possible

A unique method developed at the Karlsruhe Institute of Technology (KIT) has made 3D glass printing possible.

Since glass is transparent, has a good thermal stability and is resistant to acids, the invention will be very useful in industries that make use of biotechnologies or fast data transmission. It is known that the current CPU manufacturing technologies are close to reaching their limits when it comes to speed/circuit size, for example. With 3D glass printing, it will be possible to create new CPUs that operate at higher frequencies and use less power.

To make this invention possible, scientists have mixed particles of quartz glass and liquid polymers, washing the material in a solvent bath. The polymers have then then removed by heating the mixture, and the remaining glass was heated at a higher temperature, with the goal of making the glass particles fuse.

Kniterate Prints Professional Quality Knitwear

OK, so this may not be your regular 3D printer, but I simply couldn’t resist the idea of telling you about it!

Stop spending time chasing the perfect sweater – it simply doesn’t exist! It’s much easier to buy a Kniterate, design your sweater using a regular computer, and then “print” it at home.

Gerard Rubio, manager of Kniterate, states that anyone can create a design using the software application that comes with the machine. And if you don’t want to use that app, you can utilize any other digital design application.

Then, once the design is finished, it can be transferred to Kniterate’s memory, and the automated knitting process can begin. The device can finish most jobs in 2-3 hours, and (unlike your dear old granny) it doesn’t waste any yarn.

Kniterate is currently raising funds on Kickstarter. Actually, the company has raised 600% more money than its initial goal within a single month, so it will be brought to life. And when a product gets this type of support, it is clear that we’re talking about a fantastic innovation, who has the potential of changing the lives of many people.

If all goes as planned, Kniterate will be available at the beginning of next year. It’s going to be quite expensive at just under $5,000 USD, but I can totally understand why designers will want to have one in their living rooms. In fact, I could also see (let’s say) five friends teaming up to buy a Kniterate, and then launching a small business around it.

3d gallery app

A less expensive, smaller sized version of Kniterate may be released in the future, according to the CEO. I’d say that this version is better, though, because it won’t limit your knitting abilities to designing a sweater for your cat (or mouse).